monCHÉRI 2014- 2017
In eighteenth century Venice the first coffee houses were born, forerunners of our bars, they were, of course, also chocolate shops which raced to modify the existing recipes and invent new versions. In 1760 the Gazzetta Veneta documented the now enormous diffusion of the product. Until the eighteenth century, chocolate was considered a remedy for all ills, and it was attributed with miraculous properties. The cultivation of cocoa in Brazil, Venezuela,
Martinique and the Philippines increased disproportionately, while many European cities gained esteem and fame for working with chocolate, such as Turin, which had a production of 350 kg per day, exported mainly to Austria, Switzerland, Germany and France, where little by little chocolate became a passion for many.
In 2013, in one of the Turin’s characteristic coffee houses, while conversing and enjoying a Mon Chéri (a famous small and exquisite chocolate with a heart of cherry, soaked in liquor) the Parisian galleries VALENTIN and JEANROCHDARD conceived of a joint venture project room. A meeting of tastes which generates a unique flavor and a spirit that embraces the fast and ever changing shades of colour. The contrast between two elements, the strength of the interior which reflects the intent of the new Belgian space. It focuses on the challenge of offering the contemporary art world the best young artists. It was designed as a new combination, whose flavor is not yet well known.
2017 - 2018

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
YEAH AND LOOK WHERE IT GOT US !
GROUP SHOW CURATED BY PHILIPPE VALENTIN AND JEANROCH DARD
Jean-Baptiste Bernadet, Gabriele De Santis, Bryan Dooley, Donna Huanca, Eric Mistretta, Piotr Lakomy, Kasper Sonne
25.04.2014 - 31.05.2014
BRUSSELS


Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
BIEN OU BIEN ?
GROUP SHOW CURATED BY PHILIPPE VALENTIN AND JEANROCH DARD
Gabriele Beveridge, Aline Bouvy, Hamishi Farah, Mike Goldby, Manor Grunewald, Lucy Kim, Torben Ribe, Amanda Ross-Ho, Dominic Samsworth, Michael Staniak
11.06.2014 - 31.07.2014
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
DOMINIC SAMSWORTH
FLORIDIAN GUT
12.09.2014 - 08.11.2014
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
GRAHAM WILSON
INTRODUCING MR.GOLYADKIN
15.12.2014 - 20.12.2014
BRUSSELS
2016 - 2017

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
DEBORAH DELMAR CORP
CARE CONCEPTS
24.01.2015 - 21.02.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ANTOINE DONZEAUD
RAISE HIGH THE ROOF BEAM, CARPENTERS
28.02.2015 - 11.04.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
MIKE GOLDBY
CORE EXPOSED
23.04.2015 - 06.06.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
HAMISHI FARAH
JAILBAIT (FOR US BY US)
12.06.2015 - 18.07.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
LAND LORDS
GROUP SHOW CURATED BY DOMENICO DE CHIRICO
Bradford Kessler, Michael Assiff, Alessandro Agudio
09.03.2016 - 15.04.2016
BRUSSELS
2015-2016

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
MIRAK JAMAL
GROUP SHOW CURATED BY DOMENICO DE CHIRICO
WITH MIKAEL BRKIC, ZUZANNA CZEBATUL, LOUISA GAGLIARDI, ALEX ITO, TOBIAS KASPAR, LINDSAY LAWSON, ISAAC LYTHGOE
29.10.2015 - 05.12.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CHRIS LECLER
ZEST
10.12.2015 - 23.01.2016
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
STEFFEN BUNTE
SHELL: FICTION (TRAILER)
29.10.2015 - 05.12.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ZOE DE SOUMAGNAT
21H30
29.10.2015 - 05.12.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
JUSTIN MORIN
Q10
11.09.2015 - 24.10.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
HOW TO DRAPE THE CONCRETE
GROUP SHOW CURATED BY ELISA RIGOULET
WITH ANNA BETBEZE, LAURENT FIÉVET, ANTONE KONST. JUSTIN MORIN, BENOIT PLATÉUS, JESSICA SANDERS, PATRICK SAYTOUR, ZOÉ DE SOUMAGNAT, CLAUDE VIALLAT, ROMAIN VICARI, GRAHAM WILSON, LETHA WILSON
12.06.2015 - 18.07.2015
BRUSSELS
2014-2015

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
MANOR GUNEWALD & OLIVIER KOSTA-THÉFAINE
LIKE/SHARE
15.11.2014 - 17.01.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
TO THE HAPPY FEW
GROUP SHOW
BRYAN DOOLEY, SAMUEL FRANÇOIS, MANOR GRUNEWALD, DONNA
HUANCA, OLIVIER KOSTA-THÉFAINE, LARISSA LOCKSHIN, JUSTIN
MORIN, BENOÎT PLATÉUS, LEIF RITCHEY, MATHIAS WILLE, GRAHAM WILSON
28.10.2014 - 23.12.2014
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
BRYAN DOOLEY & SAMUEL FRANÇOIS
RALPH LAUREN
12.09.2014 - 06.11.2014
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
BÉLA PABLO JANSSEN
LE SOLEIL SE LÈVE DERRIÈRE L'ABSTRACTION
05.09.2014 - 11.10.2014
PARIS