GALERIE JEANROCHDARD 2008- 2017
Archives of the gallery and list of the artists exhibited over the years between Paris and Brussels.
Jenny Akerlund, John M. Armleder, Daniel Arsham, Hernan Bas, Stefania Batoeva, Anna Betbeze, Gabriele Beveridge, Sebastien Bonin, Mikael Brkic, Steffen Bunte, Sophie Calle, Jon Campbell, Dieudonné Cartier, Maurizio Cattelan, Christophe Chemin, James Clarkson, Colin Cook, Ethan Cook, Nick Cortese, Zuzanna Czebatul, Gina Dawson, Claire Decet, Wim Delvoye, Bryan Dooley, Luke Dowd, Lionel Estève, Brian Fay, Laurent Fiévet, Samuel François, Louisa Gagliardi, Marcel Gähler, Jack Greer, Corentin Grossmann, Manor Grunewald, Carlo Guaita, Dave Hardy, Ane Mette Hol, Donna Huanca, Alex Ito, Béla Pablo Janssen, Lucas Jardin, Tobias Kaspar, Antone Konst, Olivier Kosta-Théfaine, Piotr Lakomy, Andrew Laumann, Lindsay Lawson, Chris Lecler, Renato Leotta, Larissa Lockshin, Zachari Logan, Isaac Lythgoe, Keegan Mchargue, Fabien Merelle, Justin Morin, Michel Mouffe, Nyeema Morgan, Morgan-Richard Murphey, Wes Noble, Robert Normand, Jed Ochmanek, Oliver Osborne, David Ostrowski, Grear Patterson, Walter Pfeiffer, Benoit Platéus, Leif Ritchey, Evan Robarts, John Roebas, Michael Roy, Max Ruf, Jessica Sanders, Dominic Samsworth, Loup Sarion, Patrick Saytour, Yves Scherer, Joachim Schmid, Michael Scoggins, Frank Selby, Olivier Sévère, Kasper Sonne, Zoé De Soumagnat, Chris Succo, Eric Tabuchi, David de Tscharner, Xavier Veilhan, Adrien Vescovi, Claude Viallat, Romain Vicari, Mathias Wille, Graham Wilson, Letha Wilson, Eric Yahnker.
2016 - 2017

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
YVES SCHERER & GREAR PATTERSON
EAST OF EDEN
15.06.2016 - 16.07.2016
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
DOMINIC SAMSWORTH
LOUNGE ELOPES
19.04.2016 - 04.06.2016
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
DAVID DE TSCHARNER
LE GRAND MIROIR
19.04.2016 - 04.06.2016
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CLAIRE DECET
DRAINS TO OCEAN
09.03.2016 - 15.04.2016
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
RENATO LEOTTA
AVENTURE
09.03.2016 - 15.04.2016
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
LOUP SARION
HUMIDITY
28.01.2016 - 05.03.2016
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
DAVE HARDY
DEFINITIONS OF PLAIN
28.01.2016 - 05.03.2016
BRUSSELS
2015-2016

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
A PERFECT LIE
GROUP SHOW CURATED BY DOMENICO DE CHIRICO
WITH MIKAEL BRKIC, ZUZANNA CZEBATUL, LOUISA GAGLIARDI, ALEX ITO, TOBIAS KASPAR, LINDSAY LAWSON, ISAAC LYTHGOE
28.02 - 11.04.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CHRIS LECLER
ZEST
10.12.2015 - 23.01.2016
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
STEFFEN BUNTE
SHELL: FICTION (TRAILER)
29.10.2015 - 05.12.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ZOE DE SOUMAGNAT
21H30
29.10.2015 - 05.12.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
JUSTIN MORIN
Q10
11.09.2015 - 24.10.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
HOW TO DRAPE THE CONCRETE
GROUP SHOW CURATED BY ELISA RIGOULET
WITH ANNA BETBEZE, LAURENT FIÉVET, ANTONE KONST. JUSTIN MORIN, BENOIT PLATÉUS, JESSICA SANDERS, PATRICK SAYTOUR, ZOÉ DE SOUMAGNAT, CLAUDE VIALLAT, ROMAIN VICARI, GRAHAM WILSON, LETHA WILSON
12.06.2015 - 18.07.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
EVAN ROBARTS
OVERTIME
23.04.2015 - 06.06.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
MICHEL MOUFFE
21.04.2015 - 16.05.2015
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
KASPER SONNE
BLACK BOX
19.04.2016 - 04.06.2016
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
SÉBASTIEN BONIN / LUCAS JARDIN
SWEATING LIKE A WHORE IN CHURCH
12.02.2015 - 15.03.2015
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
MY INTERNET WAS DOWN FOR 5 MINUTES SO I WENT DOWNSTAIRS AND SPOKE TO MY FAMILY
THEY SEEM LIKE NICE PEOPLE
GROUP SHOW
STEFANIA BATOEVA, BELA PABLO JANSSEN, AUDE PARISET, LOUP SARION, ADRIEN VESCOVI, MATHIAS WILLE.
24.01.2015 - 21.02.2015
BRUSSELS
2014-2015

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
MANOR GUNEWALD & OLIVIER KOSTA-THÉFAINE
LIKE/SHARE
15.11.2014 - 17.01.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
TO THE HAPPY FEW
GROUP SHOW
BRYAN DOOLEY, SAMUEL FRANÇOIS, MANOR GRUNEWALD, DONNA
HUANCA, OLIVIER KOSTA-THÉFAINE, LARISSA LOCKSHIN, JUSTIN
MORIN, BENOÎT PLATÉUS, LEIF RITCHEY, MATHIAS WILLE, GRAHAM WILSON
28.10.2014 - 23.12.2014
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
BRYAN DOOLEY & SAMUEL FRANÇOIS
RALPH LAUREN
12.09.2014 - 06.11.2014
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
BÉLA PABLO JANSSEN
LE SOLEIL SE LÈVE DERRIÈRE L'ABSTRACTION
05.09.2014 - 11.10.2014
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
SUMMER
GROUP SHOW
SAMUEL FRANÇOIS - OLIVIER KOSTA-THÉFAINE - JUSTIN MORIN, BENOIT PLATEUS
12.07.2014 - 30.07.2014
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
BENOIT PLATÉUS
HOMECOMING
22.05.2014 - 30.06.2014
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CORENTIN GROSSMANN
LA TENTATION DU SENS
15.03.2014 - 26.04.2014
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CE QUI ARRÊTAIT CES DAMES
GROUP SHOW
SAMUEL FRANCOIS, JACK GREER, OLIVIER KOSTA-THÉFAINE, PIOTR
LAKOMY, WES NOBLE, LEIF RITCHEY, JOHN ROEBAS
11.01.2014 - 25.02.2014
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
FOR YOU LOVING
GROUP SHOW
SAMUEL FRANCOIS, OLIVIER KOSTA-THÉFAINE, JUSTIN MORIN,
WALTER PFEIFFER, BENOIT PLATEUS, MAN RAY, MICHAEL ROY, JOACHIM SCHMID
06.12.2013 -06.01.2014
BRUSSELS
2013-2014

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ROBERT NORMAND
F2
26.11.2013 -01.12.2013
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ETHAN COOK
SOLO SHOW - ARTISSIMA, TURIN, ITALY
08.11.2013 - 10.11.2013BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
OLIVIER KOSTA-THÉFAINE
EN FLANANT
19.10.2013 -23.11.2013
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
JUSTIN MORIN
POISON
07.09.2013 - 12.10.2013
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
DEGREES OF SEPARATION
CURATED BY ROD BARTON
GROUP SHOW WITH GABRIELE BEVERIDGE, JAMES CLARKSON,
OLIVER OSBORNE, DAVID OSTROWSKI, MAX RUF, CHRIS SUCCO
22.06.2013 -27.07.2013
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ANDREW LAUMANN
DESPERATE LIVING
16.05.2013 - 27.07.2013
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ETHAN COOK & SAMUEL FRANÇOIS
ARTBRUSSELS 2013
16.05.2013 - 15.06.2013
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
JAMES CLARKSON
AUTOMATIC
06.04.2013 - 11.05.2013
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
MORGAN-RICHARD MURPHEY
DOGGONE ABSTRAKTION
26.02.2013 - 30.03.2013
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ETHAN COOK
FELMAN
28.02 - 11.04.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
STEFFEN BUNTE
PROVING THINGS
01.12.2012 - 08.01.2013
PARIS
2011-2012

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
LUKE DOWD
INVAUTHENTICS
18.10.2012 - 24.11.2012
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CLOSE ENCOUNTERS
GROUP SHOW
JOHN M.ARMLEDER, STEFFEN BUNTE, CLAIRE DECET, LUKE DOWD, SAMUEL FRANÇOIS, OLIVIER KOSTA-THÉFAINE, ANDREW LAUMANN, RENATO LEOTTA, KEEGAN MCHARGUE, JUSTIN MORIN, MORGAN-RICHARD MURPHEY, JED OCHMANEK
08.09.2012 - 13.10.2012
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CLAIRE DECET
TOUT UN MONDE LOINTAIN
23.06.2012 - 28.07.2012
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
LAURENT FIÉVET
THEY SHOOT HORSES, DON'T THEY?
10.06.2012 - 13.06.2012
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
SAMUEL FRANÇOIS
RECENT WORKS
12.05.2012 - 16.06.2012
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
FRANK SELBY
SOME THINGS NEVER CHANGE
29.03.2012 - 05.05.2012
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
LAURENT FIÉVET
ICE
SUNDAY'S SCREENING #6
05.02.2012 - 08.02.2012
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
PROJET GUTENBERG
GROUP SHOW
WITH JENNY AKERLUND, BRIAN FAY, MARCEL GÄHLER, CARLO GUAITA, ANE METTE HOL, NYEEMA MORGAN & FRANK SELBY
28.02 - 11.04.2015
PARIS
2011-2012

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ZACHARI LOGAN
DISQPPEARANCES
19.11.2011 - 24.12.2011
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
OLIVIER KOSTA-THÉFAINE
MONDE SAUVAGE
24.10.2011 - 12.11.2011
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
COLIN COOK
TERRIBLY BEAUTIFUL
10.09.2011 - 12.10.2011
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
JUSTIN MORIN
TEASER
25.06.2011 - 30.07.2011
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CORENTIN GROSSMANN
NOTRE MONDE
07.05.2011 - 20.06.2011

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
MARCEL GÄHLER
UNTITLED
02.04.2011 - 03-05-2011
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
KEEGAN MCHARGUE
GATES OF HEAVEN
26.02.2011 - 29.03.2011
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
VERTIGO
GROUP SHOW
WITH SAMUEL FRANCOIS, OLIVIER KOSTA-THÉFAINE,
RENATO LEOTTA, JUSTIN MORIN, OLIVIER SÉVÈRE & ERIC TABUCHI
08.01.2011 - 19.02.2011
BRUSSELS
2010-2011

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CHRISTOPHE CHEMIN
LOVE OR PRISON
30.10.2010 - 18.12.2010
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
SAMUEL FRANÇOIS
COLLECTION
04.09.2010 - 26.10.2010
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ERIC YAHNKER
NERVOUS SURF
29.05.2010 -10.07.2010
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
FABIEN MERELLE
UNTITLED
24.04.2010 -22.05.2010
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CHRISTOPHE CHEMIN
SUNDAY'S SCREENING #2
SEEKING ME. YOU SAT EXHAUSTED
11.04.2010 - 17.04.2010
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
MICHAEL SCOGGINS
I'M BUILDING MY DOOMSDAY MACHINE
13.02.2010 - 10.04.2010
BRUSSELS
2009-2010

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
QUAND JE SERAI GRAND
IN COLLABORATION WITH GALERIE EMMANUEL PERROTIN
GROUP SHOW WITH XAVIER VEILHAN / SAMUEL FRANÇOIS, DANIEL ARSHAM / FRANK SELBY, SOPHIE CALLE / ZACHARI LOGAN, KEEGANMCHARGUE / NICK CORTESE, WIM DELVOYE / CORENTINGROSSMANN, MAURIZIO CATTELAN / FABIEN MERELLE, HERNAN BAS / JON CAMPBELL AND LIONEL ESTÈVE / JUSTIN MORIN
17.10.2009 -19.12.2009
PARIS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
FRANK SELBY
A HOUSE THAT WILL NEVER BE BUILT
12.09.2009 -10.10.2009
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
SCALES OF THE UNIVERSE, THE DEFINITION OF THE FRONTIER
GROUP SHOW
WITH CLAIRE DECET, SAMUEL FRANCOIS, CORENTIN
GROSSMANN, JUSTIN MORIN, SANDRA PRZYCZYNSKI, MARKUS ZIMMERMANN
12.09.2009 -10.10.2009
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
NICK CORTESE
LITTLE UNHAPPY DRAWING FACTORY
16.05.2009 - 20.06.2009
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CORENTIN GROSSMANN
CORNFLAKES PLEIADE
28.02 - 11.04.2015
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
FABIEN MERLE
FABIEN
14.02.2009 -04.03.2009
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
ZACHARI LOGAN
MYTH OF PANTS
17.01.2009 -07.02.2009
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
SAMUEL FRANÇOIS
LET'S GET COOL
13.12.2008 -10.01.2009
BRUSSELS
2008-2009

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
JON CAMPBELL
I'LL BE YOUR MIRROR
15.11.2008 -06.12.2008
BRUSSELS

Black Box gives the visitor the opportunity to experience a situation of visualisation. The tents determine an aesthetic context, of approach and ownership at the same time as they include content under development. Arranged in the space as kinds of totems, the six insulating tents or growing rooms portray the scenario of a shift, a decision and suggest a hidden or invisible content. Kasper Sonne questions here the role of the individual and free will within their cultural and social context.
CHRISTOPHE CHEMIN
DASEIN
10.10.2008 -08.11.2008
BRUSSELS
GALERIE JEANROCHDARD
info@galeriejeanrochdard.com